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While its low bass doesn't get as deep as the JBL PartyBox 710, the 310 is much more portable.

It features mic and guitar inputs, along with karaoke settings, which is great for musicians and karaoke lovers. It gets incredibly loud, making it great to use at parties. With 'Bass Boost' set to level '1', it offers a boomy sound profile suitable for a variety of audio content and that can produce a thumpy and rumbling low-bass. There's a 'Bass Boost' feature with two bass levels you can use to bump up the bass in your audio. The compact super accurate powerhouse of a speaker that has satisfied it's owners and the people who use them to record great music for current and future generations.The JBL PartyBox 310 is the best speaker for bass that we've tested. Long live the JBL L100 and L100 Classic and it's studio brothers the JBl 4310, 4311, and 4312. People buy $100,000 cars they just depreciate and JBL L100 Classic will last forever providing joy. It's benefit in my life is priceless and if I could I would buy the new JBL L100 Classic as I've heard of the thrill is gives its listeners and that they never regretted their decision or complained about the price. I bought my JBL 4311 Control Monitor in 1977 for $900 and it's the studio version of the JBL L100 my 4311 is still in perfect condition 44 years later and I still enjoy every kind of music on it as I hear each instrument on it not just the music you hear on other speakers. Celebrate this best ever version the JBL 100 Classic it's worth every penny as it's owners will super enjoy every moment listening to it for the rest of their lives.

Inflation has risen for homes 1000% and your bitching about the the legendary JBL L100 so loved by all it's owners for 40 years and now being improved in every way possible with 40 years of technological improvements in speaker science by the legendary speaker King JBL into being the best sounding version ever and thrilling the world and all it's listeners with the best sound for it's price and only 4 or 5 times more than it was in 1970 or 1980. Nothing compared to the new JBL L00 Classic at that price. I resented WBCN for not at least paying my subway fair in and out of Boston to volunteer my three hours once or twice a week. I still have them, but they need a crossover fix. I knew next to nothing about hifi speakers at that time, but got lucky in buying the Cizek's. I got many years of great listening out of them. They played so loudly with apparent ease.Ī few years later I bought my first pair of hifi loudspeakers. Those were the first hifi speakers I ever heard. I have been an audiophile starting in my late teens and all through my adulthood. She had those things absolutely SCREAMING! I was amazed at how loud those things were playing – and without distortion! I braced myself and walked by quickly. (She was a real hippie to this clean-cut teenager.) Above her console, at standing ear height, were a pair of JBL L100's with blue grills. I remember going into the broadcast room while Maxanne Sartori was on air to file albums. Part of my job was filing albums that songs had been played from.

(Wow, the music must have been great back then! Early 70's and 60's rock.) There was a call for volunteers to answer phones three hours a week on WBCN's Listener Line. I listened to FM radio stations WBZ-FM, WVBF, and WBCN. I was 16 or 17 and a senior in high school living just south of Boston. Unfortunately JBL dropped most of the components and we had to move forward. Using only a condenser to filter the frequencies below 7kHz going to the slot, Philip got a smooth change from the mids to the highs and with a unity high quality electronic stereo crossover we had a great 2 way active box for studio use. These featured the more recent 2213-H ceramic JBL ( or alternatively the 128-H with foam surround for a bit lower resonance) and the 104-H, then a recent 4" that fitted the mounting specs of the LE-5, but with a much more linear frequency response. In 2004, we introduced in Barcelona its definitive version (or so we expected) the 240B. With an active 2 or 3 way crossover and 2 ir 3 stereo amps, these studio monitors gave a much better definition in the entire spectrum. Same bass unit (the 123A), the LE-5 in the available version if LE5-2 Alnico was not at hand and the 2405-H slot coming in at around 6 or 7k. In the mid eighties Phil Newell designed an active version of the L100.